Preserving the present with So Koizumi’s 'Fossilized Future' furniture

Can the items that we use every day hold historical significance in the future? This intriguing question drives Japanese designer, So Koizumi’s Fossilized Future collection. A rustic and unique series of furniture designs that imagine how today’s materials might fossilise and tell the story of our present to future societies. Making his debut at the recently concluded Milan Design Week 2024, the product designer emphasised the importance of storytelling in his designs. He describes it as a monologue to society, where each piece serves as a medium for expressing his thoughts on contemporary societal issues, encouraging us to view our everyday objects as historical artefacts, blending the past, present and future into a single narrative.

The Tokyo-based designer established his eponymous studio in 2021. With a background in spatial and product design, he has consistently pushed the boundaries of traditional design. His innovative approach is characterised by a deep curiosity and a willingness to experiment with unconventional materials. Inspired by a visit to the Neues Museum in Berlin in 2022 which was renovated by British architect, David Alan Chipperfield, Koizumi’s interest in this intersection was sparked by the museum's delicate balance of history and modernity, shaping his design philosophy. Observing visitors, especially children, deeply immersed in the historical exhibits, the designer was influenced by how the past and present can coexist and inform one another which he strives to integrate into his work.

The furniture collection is crafted from materials such as wood from local forests, felled due to oak wilt disease from the nearby area. These elements are coupled with minerals, charcoal and everyday natural waste such as rice husks, leftover coffee grounds and vegetable peels. Through Koizumi’s innovative vision, these commonplace materials are metamorphosed into a distinctive substance he aptly terms "contemporary soil."

The process of creating these pieces mimics the excavation of fossils. Large blocks made from these materials are cut with a chainsaw and the exposed cross-sections are preserved to maintain their integrity. This rawness captures the essence of fossilisation, where remnants of the past are revealed through layers of time, showing the beauty of natural decay and transformation.

Craftsmanship and technique are vital in bringing Koizumi's vision of contemporary soil to life. Although the pieces appear to be manually crafted with a chainsaw, their forms are meticulously planned using advanced 3D printing technology. Koizumi digitised the wood and moulds to determine the most aesthetically pleasing surfaces to cut. He even took courses in the forest to improve his sawing skills.

One of the most fascinating aspects of this designer’s process is his embrace of serendipity. The unpredictable nature of cutting through blocks of mixed materials with a chainsaw often leads to unexpected and distinct patterns. Koizumi views these moments of chance as integral to the artistic process, adding an element of surprise and originality to each piece.

In developing Fossilized Future, the furniture designer allows the concept to evolve organically. The core idea is to leave traces of the present as if they were fossils for future generations. These everyday materials, ordinary to us now, might serve as clues to the past for those in the future. This notion that present-day materials could become metaphors connecting the past and future fuels Koizumi's motivation, instilling hope that even the most mundane aspects of daily life are connected to the future.

For the designer, the power of his furniture designs lies in its ability to communicate. He considers his creations as ongoing conversations with society about pressing issues. Initially, it’s the visual impact that draws people in, which is intentional,” he describes to STIR. “ But what truly brings me joy is seeing people explore beyond the surface beauty, uncover deeper narratives and relate to it personally”. His goal is to craft pieces that are not only beautiful but also thought-provoking, encouraging a deeper engagement with the themes they explore.

When considering the longevity and durability of his furniture, Koizumi takes a philosophical approach. He believes that furniture, like all things, will eventually break and can be repaired. What matters to him is the relationship between the user and the piece and connecting with people who appreciate this perspective.

Experimenting with materials like rice husks and coffee grounds presented significant challenges. Koizumi explored various mixing proportions and methods to solidify these materials. Although he doesn't share the exact recipe, he resolved these challenges through numerous experiments, showcasing his dedication to innovation and exploration.

The use of natural and discarded materials not only adds an element of sustainability to the collection but also raises awareness about environmental issues. By repurposing such items, Koizumi highlights the potential for reuse in product design. This approach not only reduces waste but also encourages a more thoughtful consumption of resources. In a world increasingly concerned with environmental degradation, this designer’s work serves as a poignant reminder of the possibilities inherent in sustainable design.

The aesthetic appeal of the chair design lies in its raw, organic appearance. The exposed cross-sections of the materials, with their varied textures and colours, create a visual narrative that is both striking and thought-provoking. Koizumi’s ability to transform discarded waste into visually compelling pieces speaks to his keen eye for beauty in the mundane. The contrasts between the smooth, planned surfaces and the rough textures highlight the dialogue between control and chaos, a central theme in his work.

At Milan Design Week 2024, Koizumi unveiled his projects Fossilized Future and SEVEN at Villa Bagatti Valsecchi with Alcova. It was his inaugural exhibition since establishing his studio and everything from setting up the artwork to observing the audience's reactions was an enriching experience. Sharing with STIR on his experience, he says, “Exhibiting at Alcova Milano was an honour and I was inspired by the strong individuality of the other exhibitors. I realised the importance of continuing to do what I enjoy. While showcasing at a prestigious venue lasts only a few days each year, the effort and joy put into the everyday work leading up to it makes it possible to shine on that stage”.

Reflecting on his journey, Koizumi emphasises the importance of connection and understanding through design. His work challenges us to consider the lasting stories these objects may tell. For Koizumi, design is not just about creating beautiful objects but about fostering a dialogue with society and leaving a meaningful legacy.